12 Aug

Know your Easter Eggs

At Six, I finally put myself forward to talk in what’s known as a 6 in 60. Basically its 6 speakers in 60 minutes that talk about something they’re passionate about but with some relevancy to what we do on a daily basis. Whilst I participate in and conduct formal reviews/presentations with clients as part of my job, I’m not a natural leader or like to boast about my work so having 10 mins all to myself seemed a little daunting but a goal to aim for nonetheless. For example, in the past designers have spoken about how skateboarding has shaped their attitude and way of learning along with account handlers talking about their favourite brand. Because it’s internal, it’s the perfect setting for anyone looking to practice their presenting skills such as time keeping or improving their confidence. Every employee has tried to do at least one in their lifetime so there’s tons of support too.

I missed the first 6 in 60 earlier in the year on purpose so I could get a sense of what they entail and how people chose to present. I knew that I should volunteer for the next one even if I felt really uncomfortable about it at the time. I’m not naturally outspoken or egocentric so I felt this would be a good opportunity to put me out of my comfort zone. It’s far too easy to sit there and not say much but with it coming up to a year since I first started at Six, I needed some of those first day nerves again.

For my 6 in 60, I chose to speak about Easter eggs. I could have easily bored people to death by mumbling on about my favourite the chocolate but instead I chose to talk about a different kind of Easter egg.

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The kind that is littered in our industry. The kind where makers like to sneak a hidden feature or secret message into their work.

I first discovered them when my life revolved around 3 things. And when life was pretty damn simple.

  1. Beano comics - the way illustrators would add extra details and inside jokes to every nook and cranny of a comic strip like Calamity James was incredible.
  2. Wheres Wally? - the books even made a game out of finding hidden artefacts in plain sight.
  3. PlayStation games - lastly I was a bit of perfectionist when it came to collecting things in games like Spyro. More than often designers had intentionally created secret parts of a level for you to find and discover the remaining collectibles hidden there.

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I then went on to showcase a handful of my favourite Easter eggs in amongst every type of medium (even though it was pretty difficult to shortlist) and filed them under 4 categories to make things as easy as possible to understand. I think generally everyone was really surprised and interested in the examples I showed. To wrap the presentation up I provided a few pointers for people to take away and demonstrate how Easter eggs aren’t just for fun but there to flex brand values and connect with users. For example, how Google can turn an annoying experience into a slightly more enjoyable one by distracting users with a mini game when they have a poor internet connection.

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What I learnt

  • Practice is your friend - throughout the course of putting a presentation together and preparing what I might say I took advantage of talking with my mentor, Dan, who offered quick and honest feedback at every stage. I also timed it which scarily showed just how short 10 minutes is. Once I had cut down my patter, I ran through it with him with the same setup I’d have on the day. This helped me to relax and get any pre-match nerves out of the way.
  • Cut out the small talk - in an early draft I realised I was trying to say everything and anything on each slide. It’s not about painting the full picture, just say what you need to with enough context and move on.
  • Do it your way - I know myself it’s too easy to get stuck into the aesthetics of a presentation being the designer that I am, so this time I used the app Keynote to focus on content and limit my tools. I also chose to use a minimal amount of text that acted as prompts and varied the graphics to add pace and interest. To keep the audience on their toes, I hid a few of my own Easter eggs in there too.
  • Listen for timings - I found staying aware and gauging how the audience responded really useful. If you feel like your confusing people the more and more you say, don’t dwell on it, take a breather, speak more slowly and don’t be afraid to move on. This is where practicising your words beforehand goes a long way in helping others quickly grasp what your talking about. Also it helped me stick to my timings and not overrun.

All in all, it was a brilliant experience that I can utilise for future meetings and presentations.

15 May

Magic 8 ball

As a new initiative at work to practice more motion design, a couple of us have started a group called the Motion Mingle. It's fairly laid back and on a daily basis we talk through any ideas or concepts we're working on and see if we can help each other out. All of us have a very unique set of skills and experience that lends our thinking to different tasks. For our first mingle we decided to create piece of motion design based around the word 'Floating/Floaty'.

For mine, I wanted to try and mimic the floating action of an answer revealing on a magic 8 ball. I tried to study real footage of a ball in motion to mimic it as best as I could. In trying to figure out how to animate something like this, I learnt a number of new effects and tools. One in particular was using a high contrast plane to mimic liquid dissolving. For this I used an effect called 'Turbulent Diffuse' which I could manipulate over a period of time to create the idea of liquid dissolving. This was fine in a linear aspect but I wanted to find a way to show the liquid dissolving in a circular motion as if it was swirling. In this instance I applied an effect to the comp that contained the Turbulent Diffuse effect called Polar Coordinates. This way it displaced in a circle where I could alter to my desire.

Getting the prism to reveal an answer in a lifelike way was really difficult to finesse but overall, I'm really happy how it turned out.

15 May

SCC Skateboard

Last month, I made the final touches to my custom skateboard. It's been at least 6 months since I first purchased the blank deck from America for a measly £30 (bargain!). From what started as a quick setup to build and go skating with, I soon became obsessed with the idea of creating a custom graphic and adding as many details as possible. I had a fascination in skateboards from the 80s that had plastic rails, tipex covered griptape, wear and tear and alot of character. For a brief month or so I got to ride my Uncles original Powell Bug board and loved the way it soaked up turns. It was a really fun board which I was keen to continue riding until he made the decision to put it up for auction. So that's why I went for this type of board. The custom stuff was just an after thought. This is certainly no show piece but a full working board that I intend to wreck.

A brief recap of my process:

  1. Sand down board ready for painting
  2. Photoshop together a few rough ideas of graphics to stencil or silkscreen
  3. Cut out graphics in paper to judge size of area to mask.
  4. Mask areas I want spray paint
  5. Spray paint both topside and the bottom of the deck
  6. Install black rails, tailtap
  7. Settle on a design to try silkscreening with
  8. Badger my good friend Josh into exposing a screen and getting a weekend sorted to try printing
  9. In the meantime, saw and glue together something to hold the board in place ready for printing
  10. Decide on silkscreen ink and colour. Order Fire Red pot ready to print with.
  11. Umm and arrr over design
  12. Buy another board and start messing with that
  13. Badger Josh one last time to settle a date
  14. Screen gets exposed with design
  15. Get to London to print.
  16. Measure, think, wait - twice. Print - once
  17. Because the board is concave, ignore traditional silkscreen printing method and apply a custom solution. I roll the screen across the board whilst Josh pulls the ink through.
  18. First try fortune! Silkscreen done
  19. Mask and spray paint logo on topside of board
  20. Measure and figure out how to grip board
  21. Design griptape on the fly using paper cutouts and playing it by eye
  22. Slice grip to size and apply to board
  23. Fix trucks to board along with wheels and bearings
  24. Take for a skate

For a first try it came out surprisingly well. I'm stoked how it came together and I've ridden it load of times now both at the skatepark and on the streets - it works well across all of it.

9 Apr

BOH ’17 motion graphics

After a trip to watch the Battle of Hastings last year, I wanted to recreate the atmosphere and surreal architecture of the event using motion graphics. It certainly taught me a few new things in After Effects.

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